Enter the email address you signed up with and we’ll email you a reset link. Need an account? Click here to sign up. Download Free PDF. Yuber Avila. A short summary of this paper. Please register the software, then get all contents and the valid ebook format. All rights reserved. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Author Mark Myers Incorporated.
Author Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. It is specially designed for video image composition by building up layers of transparency.
In this sense it could be compared to Photoshop, but After Effects comes in the temporal dimension. From this point of view also it supports compared to Premiere; In fact, you can find a number of similarities, but do not forget that each is suited to different purposes. After Effects far surpasses flexibility and precision tools with which account Premiere for conducting operations animation, mask, etc.
On the other hand, In fact, the three programs mentioned are complemented perfectly: Photoshop allows you to prepare all artwork with unlimited potential in terms of creative possibilities; After Effects can take this same material and produce as we need him for the final result: headers, credits, overprints, animated graphics, etc. Or we can set up a base video and audio in Premiere and then manipulate this material in After Effects. The upshot of all this is that we must consider After Effects as a specialist for professional use of postproduction program, but without forgetting at the same time it is a program that is not isolated, and that their use together with Photoshop and Premiere is much extends the capability of each of them separately.
The usual workflow basically consists of the following steps: Preparing the source material. Import it into a project. Create one or more compositions. Sort by layers of different materials within a composition, and adjust their lengths and their order within the sequence.
Apply the desired effects and animations within the composition in progress. Render the project. In this relationship of steps worth mentioning some two elements that perhaps now not known much: the compositions and layers. We soon get used to them as fundamental elements that are of After Effects.
By composition we understand the working space, with dimensions and a duration defined, while any one layer is imported in the project, at the instant which is situated within the element composition. As this respect, the analogy is most evident with Photoshop with Premiere, and therefore the term used is layer, and no track. Any of the layers of a composition having opaque areas and transparent areas, in a variable proportion always. Thus, To start: a little planning A good tip starting to get good final results is that, before hitting his head on a project, we effect some previous work; we will both preparing video materials, audio and graphics to be used in the planning of what will be the project.
An analysis of the characteristics to be met result used to determine the parameters that will use. Never too advisable to go changing these parameters in the middle of the process; although you can do, such turn negatively influence the outcome or make it necessary to start again from the beginning. Once you have determined the requirements for our project, the following rule is to prepare the material according to these requirements.
Not recommended, for example, scan size and resolution images that are twice what is needed and use them as is; thus sobrecargaremos the project unnecessarily, we all slower operations and longer rendering process. Worth getting used to scale the images to the desired size and move them to a resolution of 72 dpi, instead of making a scaling in After Effects. You can say the same of any other material. Practice Prepare a background and a video.
There can be more than one project open. Create a composition. We create a composition. In the workspace, so far quite empty, the windows appear Composition and Timeline, and thus we obtain the overview of the environment After Effects running.
On the menu Composition select New composition … we open the dialog Composition settings. From the dropdown menu select Web x video, one set of predefined parameters. The box Composition Settings dialog box. After Effects environment. The Project window This window is a space that acts as browser Document functions as storage area files, and allows to organize and provide information about them. All compositions created also appear in the list.
As we have seen, is led by the name given to the project followed. Your settings remember the basics to Adobe Premiere. However, we found some differences. In Premiere there is a separation between bins and documents does not exist here. It is configurable, because we can show or hide each column to our choice and change their order by dragging the header, and expand or enclose open, dragging the side of the head.
Selectable data are: First name. Name the file extension. Color label. Document type; a small badge to the left of the icon name also serves to identify the type of document.
File size. In the time format you have selected in the preferences. File route. Locator storage location of the source file. Creation date. Field blank to enter any notes you want in relation to the document. The dropdown arrow, displays turn the list of columns that can be turned on or off. Options menu in the Project window. Description Selecting an item from the list, still further expands the information in the header under the window title with the following: graphical representation by means of a thumbnail still picture.
Beside the number of occasions when used within this project the selected item is indicated, and in which compositions. These compositions appear in a dropdown list when the name is pressed. The size in pixels HxV. The duration and frame rate fps. Where applicable, the color depth and the type of file compression.
Organization We can vary the order based on any of the features that make the columns, by clicking on the appropriate header.
Another provision constitute the color markings. These marks are applied to the selected item by clicking the right mouse button on the color box column Label , and choosing the desired from the dropdown list color. This list includes the command Select Label Group at the same time to select all items labeled with the same color. Folders can be created, either by clicking on the icon New folder or doing the right mouse button on any empty part of the Project window, which will cause a menu option that appears to unfold New folder.
If you want to place an item in a folder, select it and drag on it. To remove, is selected and is dragged off. If we want to rename a folder, select the name, press Enter and type the new name. Because the project can work with more than one composition, we can create as many as you want and access each using the dropdown that appears at the top of the panel.
By default, we all grouped in one window will appear, simply open the dropdown and select the composition you want to work. Control group controls: Use button always view for the preview: Switches the current view as the default view for previews.
D: Switch View button masks: Switches between display masks a composition and image display without masks. Photogram represented at the hearing: by clicking on it you can enter another code time to replace it. The Alfa setting displays opaque and transparent areas as black and white, respectively, with degrees of opacity as shades of gray. Coloring shows the Red, Green and Blue channels in their respective colors instead of black and white.
This helps to speed up the refresh view. Toggle Transparency Grid button: Switches between displaying a background as a chessboard to show transparency and display the background color. Grids, rulers and guides: In an image composition program like this are very practical help to provide reference points on which to place the elements. Background color Background : By default, the background of a new composition is black. Another option, available from the Window menu lateral arrow , is to use a checkerboard of the same type as in Photoshop, to visualize areas of transparency.
Comparison of the same image in the window layer left and in the layout window right. In this figure we show the relationship between the window Cap, left, and the window Composition. Notice that right in the window Composition, no reduction none of the display, but it has been necessary to considerably reduce the size of the image, so that is only partially shown.
The rectangle delimits the layer, and the circle indicates its center. Otherwise, the window Cap It has the same controls as we have seen in the window Composition, but also the timeline representing the duration of said layer and enables movement to any of its frames displayed. However, keep in mind that, in the case of QuickTime videos and Video for Windows, when you double click on them are shown in a window with its own type of controls, the same as used to be opened outside the application and also reproduce audio if to take it.
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Positioning the pointer over the bar and can move it by dragging and therefore vary the frame from which the layer is present in the composition, it does without the particular duration of the layer.
If we place the pointer on one of the brackets and drag can vary the input or output, according to the end we are touching, although it should be noted that it can not extend the length of the layer beyond the original duration not for this procedure.
Note: Unlike Premiere, there is a display option to represent the frames of the layers in the timeline. Only the color bar is used. Delimiters display area Time graph. Scale represents the view of Time graph. It shows the relationship between the area enclosed by B and the entire duration of the composition part. The concept and operation is similar to the navigation palette Photoshop or Premiere, although its graphic expression is different and it can be a bit disconcerting at first.
At this point, we recommend dragging the delimiters play freely and seeing how it expands or contracts the Time Graph at the same time. They serve to delimit an area in order to render or preview of part of the composition. AND: Ruler. We must drag to place a mark on the ruler at a specific point of time. They can be used as many markers as necessary, and the numbering is automatic, by order of creation.
You have to drag it back to remove a marker of the rule. Zoom drag: This is another control which have to increase or decrease the visible portion of Time graph.
You can also use icons to zoom-in or zoom- out on both sides. Current frame indicator. If we place the pointer over the blue, it slides to move to another prior or subsequent frame. The red line is the reference to perform adjustments or layers keyframes Under the current frame with. Feather, Add checkpoint, checkpoint Delete, Change point.
Mask rectangular, oval mask. Magnifying glass. Local Mode 1-axis, 2-axis global mode, 3-axis View mode. On the right side position coordinates of the cursor are recorded, in pixels. At the bottom, the information is updated based on the window where the pointer acts.
When the window is Composition layer, or Material the position coordinates of the layer, referred to its center and offset from its last position read. The purpose of this information is to provide an accurate indication when we want to adjust the position of a layer. But if we are in the Timeline, the information displayed is time position: entry point, departure point, duration. RAM preview. In addition to the controls in this palette preview options discussed later established.
It indicates the playback frame rate per second. This message appears in red when the preview speed does not correspond to real time; at the same time it shows the maximum frame rate per second at that time can reach your computer.
Level control. Menu options palette audio. AND: Level values. Set some preferences At this point, we can say that, without having yet in detail in many respects, we do have a comprehensive understanding of the physiognomy of the program. Right now come well out the preferences section to find out which contains options and allows us. The above mentioned when discussing grid settings in the window Composition. We see grouped into different categories; we will mention only that for now we may be interested.
In the General section … the number of times you can run is set Undo Levels of Undo option , you can activate or not Tooltips, etc. Label Colors You can customize the seven colors may have, while Default label enables assigning to each type of element of a label of different color, according to our choice. There are more preferences, but exceed the purposes of this unit, and will mention as interested. It is important to an understanding of this aspect so that our expectations are not frustrated when handling files; However, we believe that this issue should not be unfamiliar to those who have already worked with Premiere.
File types audio, video, still image, image sequence, etc. Anyway, in this unit we will see the particular aspects with which we are in After Effects. As in Premiere, the program works with references to the material, not on the original files. Therefore, it is here also important to keep the files in a particular place, because if you rename or move to another location, the program will not be able to find them. If you can restore the file indicating a new location or replacing it with another or the same renowned , use the command Replace the footage, available by clicking the right mouse button on the file in the window Draft.
Another command that is in the same context menu is Reloading the footage, to update the file if he has externally applied modification. We will also see the implementation of the command Interpret the footage, in the same menu.
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